La galerie de la Biennale

The emotional and visual impact of Adel Abdessemed’s work stems from its muted violence and its potent capacity for salutary expression, transgression and derision. In the eleven photographs and two videos on show here, Abdessemed reinvents the world and its animal violence. Showing exotic beasts in urban settings, posing in the arms of a statue of Abraham Lincoln in a New York street, or disguising himself as a gorilla so as to slip a wedding ring onto the finger of a pretty bride, the artist blurs the boundaries between art and private life, between self-representation and animality – and situates himself in that uncertain zone where our reality as human beings is far more complex than that of the civilised facade we offer to the gaze of our contemporaries and neighbours. In the two short films we see a foot angrily crushing a Coca-Cola can and a microphone. " Foot On" and "Talk is Cheap" are at once meaningful and highly ambiguous: comprising two rapid shots, they have a hypnotic, repetitive side that lays bare vertiginous horizons in the most secret fault-lines of our minds.

Adel ABDESSEMED
Série de 11 photographies, 2005-2009
photo 70/81
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The 2009 edition > A word from Thierry Raspail
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A word from Thierry Raspail

 

Thierry Raspail

Artistic Director, Biennale de Lyon

 

The tenth. 20 years! A ripe age for a Biennial whose first edition opened exactly 7292 days ago. That edition, you may recall, was "The Love of Art": simultaneously a handsome title and a statement of intent. With a new chapter in history about to be written, this was a tribute to the works and the artists who, every day, build the very real world of our hopes, emotions and imaginations. This was a carefully weighed-up introduction to Contemporary Art, and the public – initially from Lyon and then from all over – felt at home right away with its brand of creative polyphony. Meanwhile the City of Lyon and associates, the Rhône-Alpes Region and the French State all gave the venture a great welcome – and ensured its longevity.

Now that the Biennial has reached maturity, the task is to consolidate its place in the international art world and reinforce the ties that bind it to its audience and its home ground. The Biennial was started with this in mind: ongoing artistic renewal and the long-term shaping of a stable project solidly rooted in its territory.
As a way of affirming this bond and demonstrating the fit between art and life – between the imaginary and the real – this tenth Biennial has opted for a look the everyday: our own everyday, the one we have to reinvent with each new dawn. Seemingly part of two irreconcilable registers, spectacle and the everyday have in fact been orchestrating our lives since the very beginning: the first commandeering the mise en scène, the lighting and the looking, and the second seemingly lost in anonymity, routine and work. "The Spectacle of the Everyday" brings the two together: a view of the world, its inevitable trade-offs, its harshness – but its generosity, hope and change as well.

This Biennial is an antidote to the mind-numbing reflex which, in this time of "crisis", would have us shut ourselves away, oblivious. Curator Hou Hanru has started out with the simple idea that in our society of spectacle, we need to reinvent the everyday, its "poetics", its manner of being – which is also ours – and its aesthetic.
While first and foremost an international exhibition, the Biennial, with its 70+ artists and 35 totally new happenings, is also over 150 events taking place under the Résonance banner, plus a one-of-a-kind creativity/awareness/dialogue programme designed by Veduta. In the spirit of the full-time forum in Sarkis's "hotspot" in the Museum of Contemporary Art, a vast ensemble of territories in the process of urban regeneration is featuring artists' residences, exhibitions, conferences, talks and entertainments, and bringing an incredible variety of contributors together: on local markets, in neighbourhoods, art libraries, theatres and a police station(!), at a watersports centre and on a beach. This means the chance to encounter art in all its diversity, including – for couples in search of closeness – a night spent at MACLyon, the Museum of Contemporary Art.

So, welcome to the Spectacle of the Everyday!

 


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